Based on the feedback I received from my Lady Skeletor tutorial, I wanted to make another post that takes a closer look at some of the armor breast plates I’ve made out of Worbla.
This isn’t really a step-by-step tutorial, as the process I use to make these breast plates is pretty straightforward (molding Worbla directly over my dress form). This is mostly just a collection of WIP photos I’ve taken while making these breast plates. NOTE: I’m usually working under pretty tight time restrictions (all of these costumes were made in under 7 days) and quite frankly I think certain pieces could have been done better, done with more detail, or done with more dimension and depth.
Here are some of the costumes I’ve made with Worbla: in chronological order from left to right – Dr. Doom, Athena, Skyrim, Skeletor. To see these actual costumes, visit my COSTUME PAGE.
Dr. Doom was the first time I ever worked with Worbla OR attempted to make armor. It’s a very simple armor ‘bra’ that I molded over my dress form. The raised detail along the edge was added by cutting a 1-inch strip of Worbla (in the same shape as the neckline of the breast plate), heating it, and then letting it adhere to the breast plate. The metal rivets were circular metal pieces I purchased from Michael’s and then glued onto the breast plate. The entire thing was then primed with several layers of gesso, sanded, and painted with metallic spray paint. The breast plate is held to my body with elastic straps that attach to the armor with heavy duty snaps (applied with an industrial plier tool). It’s very straightforward and entirely simple:
NOTE: To get the cleavage, I wear a push-up bra underneath the breast plate. COSPLAY BOOBS ARE MADE OF LIES!!
After my first attempt at armor-making was fairly successful, I decided to make a more detailed and complex costume — Athena from Dynamite Comics. Here are some close-ups of the breast plate:
I pinned tissue paper to my dress form (loosely, as tissue paper does not stretch and won’t lay flush along the curves of the dress form) and drew out my basic shape for the breast plate. I then transferred that pattern onto Worbla, cut it out, and molded the Worbla over the dress form. NOTE: My boobs are bigger than my dress form’s, so I pad the bust with THREE bras to increase the bust size.
As you can see from the detail images, Athena’s armor attaches to her with white straps. I took the breast plate off the dress form (at this point there was only one layer of Worbla) and installed six heavy duty snaps onto each side (the matching snaps were put on elastic straps covered in white spandex to attach to the breast plate and hold it onto my body).
To get the layered look on the breast plate (the three layers underneath the bust and the fleur-de-lis-like design in between the boobs), I cut those shapes out of Worbla and also molded them onto the breast plate.
I primed the breast plate with multiple layers of gesso, let it dry fully, and then sanded the crap out of it to make it was smooth as possible. Gesso is very thick, so if you don’t sand it you’ll still be able to see brushstrokes on the armor after it is painted.
I then spray painted the breast plate (and other armor pieces) with metallic gold paint and let it dry. I applied a slight about of black paint along the raised edges and buffed them with a cloth to slightly weather the armor. This picture also shows pretty clearly how the elastic straps attach to the armor:
While I was finishing up the Athena costume, I went insane and decided to make a Skyrim costume as well (to wear at SDCC 2013). I always loved the Savior’s Hide armor design and picked that to make. In truth, I don’t really think that my breast plate is a very accurate representation of the detail and complexity of the original design. It should be more 3-dimensional and I honestly should have sculpted a lot of the element out of clay to give it the right look. But, I also had two days to make this costume so…whatever.
The key different between the Skyrim armor and the other breast plate is that it is essentially a corset made out of Worbla. It wraps entirely around my torso and laces up in the back like a corset (I cover the lacing with an additional Worbla piece that velcros onto the back).
So yeah, I cut my base piece out of Worbla and molded it onto my dress form. From there, I sketched the design of the armor directly onto the Worbla to make sure it looked right. As you can see, this took me several tries:
If you look close at this picture, you can also see some of the wrinkling that can occurred when you shape Worbla around non-flat surfaces. You can to be very careful to try and avoid this, as these flaws are hard to cover. In this case, I knew that I was going to be layering quite a few more pieces of Worbla onto the front of the armor, so I didn’t worry about it too much.
I transferred the design onto tissue paper, then again transferred it onto another sheet of Worbla.
This design was translated onto the breast plate in several stages. You can see all the pieces I used here:
This is what the armor looked like after all six of those pieces were molded onto the breast plate:
As you can see, six layers of Worbla more than covered the wrinkles that were present on the base layer. I also cut out a series of diamond-shaped scale things and attached them along the bust line of the breast plate:
The armor was then primed with gesso. I glued four circular coins onto the armor to add in a bit of detail, but this was all done on WEDNESDAY (SDCC started on Thursday, I was running out of time fast!). Then, of course, the armor was sanded a bit (but not as much as it should have been, I didn’t have time):
Literally, the night before we were going to leave for SDCC, I painted this armor with metallic silver spray paint:
As you can see, the gesso wasn’t sanded smooth enough in certain areas and you can still see brush strokes. Since it’s Skyrim armor, that’s ok because it doesn’t need to be perfectly smooth.
I woke up at 4am and packed this into the car. Howard and I drove down to San Diego and enjoyed the first day of the con. That night, I added in the weathering details to the armor with black paint:
Overall, I would say I consider the Skyrim armor to be moderately successful. It looks good on, but there are many details that I don’t think I did a good job translating into reality. The armor is too flat and many of the details should have more dimension and depth. I also chose a construction method that used a LOT of Worbla (which is pretty expensive). If I were to make this again, I’d definitely do a lot of things differently!
To date, I would say Athena and Lady Skeletor are my two most successful armor costumes. The most important element of cosplay is the determination to try new techniques and push yourself to do better with each and every costume you make. Sometimes things might not work out 100% and the process of learning can definitely be frustrating. But with a bit of commitment and determination, there’s no limit to what you can do!
If you’d like to see the detailed tutorial on how I made Lady Skeletor, CLICK HERE!